DRUM ROLL. ANNOUNCER
Not all of you reading this will know that these awards are based on an original British awards ceremony called the Comedy Tumbleweed Awards. And like any British concept brought over to Australia, we've made a cheaper and shonkier version - more than appropriate given the current state of Australian comedy. While once upon a time Aussie comedy at least had the decency to announce what it was ripping off (Are You Being Served, for example) we now get shadowy network 'comedy experts' telling all and sundry that the only way their show will get on air is if it's 'more like The Office'. Did we need to see Chris Lilley's David Brent clone in We Can Be Heroes when we could have had another effete character performing a series of 'ironic' musical numbers? Did Hamish Blake have to spend the entirety of Real Stories trying to sound like Ricky Gervias no matter what character he was playing? Did the Up-Late Game Show have to take the idea of a show built around tedium and embarassment and drag it out for three hours every weeknight? Once Australian comedy could hold its head high with original world-class failures like Brass Monkeys, Bingles, and The Bob Morrison Show - and that's just the 'B's - but today we're reduced to ripping off flash-in-the-pan shows from overseas. Not from the US, mind you - they can afford writers over there. And not any of those shows featuring actual jokes, either. But if it involves a lot of awkward pauses, drawn-out silences and no more than three smirk-inducing moments per episode, there'll be an Aussie version out by the end of the year. Probably as a 2am infomercial, though, as most of the commercial networks don't seem interested in developing new comedy, and the ABC's broke. It's a grim situation - one that probably explains this year's...
NEWTON For those of you wondering about Shane Jacobson's nomination here, hard as it is to believe, it only feels like Kenny the poo-talking plumber has been around for a decade. Clearly Shane believes there's no such thing as over-exposure, especially when your entire schtick consists of making jokes like 'Is there a lot of money in toilets? Mate, there's a shitload'. I remember when Pete Smith first told me that one back in 1959 - only difference is, Pete didn't turn it into a movie. And he only told it once. And he had on one of those spinning bow-ties. Heath Franklin and the rest of the Ronnie Johns team aren't strictly newcomers either, but their middling sketch series deserves a mention. While occasionally funny and intelligent, they tend to be over-reliant on catchphrases and recurring characters. Something the winner of our next award knows quite a lot about.
RASKOPOULOUS COMES UP TO ACCEPT THE AWARD.
RASKOPOULOUS
NEWTON
RASKOPOULOUS SHAKES HIS HEAD. The papier mache horse the hat guy rides?
RASKOPOULOUS SHAKES HIS HEAD AGAIN. There's no-one else on the damn show!
RASKOPOULOUS
NEWTON
RASKOPOULOUS BEAMS WITH PRIDE AND NODS FRANTICALLY. ...but you're not funny enough to be Crazy John, the discount mobile phone mascot.
RASKOPOULOUS LEAVES IN A HUFF. (CONTINUING) And bad luck to Adam Zwar, whose unique comedy style of staring off into space while saying his lines in a very soft voice, no matter what character he was playing, made him one of the most memorable performers on The Wedge, after the fence-post that farmer character kept leaning on, a set of traffic lights briefly glimpsed in episode 12, and the space in the credits where Steve Vizard's name was...right up to the moment he was dragged back into court over yet another corporate fraud investigation. Mike Goldman arrived in 2006 as a genuinely terrible comedy actor. With the Friday Night Games warming jittery audiences up for another six months of Big Brother entertainment on the Gold Coast, Goldman gave a textbook demonstration of how not to act...as yourself. Presenting the forerunners of the Up-Late Game Show, UpLate and Friday Night Live, Goldman produced performances as hammy as anything Peter Russell-Clarke ever churned out. But instead of offering genuinely useful egg recipes, he gave us: himself. But enough about the boys, it's time to celebrate the work of this year's...
NEWTON At least Zemiro has a fall-back career writing how-to books explaining exactly how you can be a hipster indy pin-up girl when your career consists entirely of game show hosting, appearing in commercials and The Wedge. There's only room in this business for one icon hosting game shows, and he's hosting Bert's Family Feud, 5.30pm weeknights on Nine. Now that's how you work a plug in, people. Unfortunately, Rebel Wilson and Julia Zemiro cannot be with us tonight - Wilson is living in her parents' basement surviving on beetroot and Julia Zemiro is working on future Thank God You're Here characters - she promises a character who doesn't have much personality and just sort of reacts to events around her awkwardly. So, let's move on to Worst Comedy Entertainment Personality...
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HOWARD
ALL
HOWARD
HOWARD
Take them away, boys.
MARTIN
DAWE
CLARKE
HOWARD
HOWARD
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HOWARD
HENDERSON and BOLT
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HOWARD
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HOWARD
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HOWARD
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HOWARD
HOWARD
NEWTON Starting with Rove. Considering his wife just died...
...of cancer...
...while cuddling a puppy...
...there's pretty much nothing critical I can say that won't have the media baying for my blood like a pack of rabid hounds. Theirs truly was the greatest romance of the century. Involving a talk show host and a B-grade soap star. And what does Corrine Grant have to do to get an award? She certainly has the promise, but unless she writes a sitcom with Dave O'Neill some time soon she might have to start a comedy trio with Jo Stanley and Peter Helliar. It'd be great, they could tour for a bit, hone their act, and then take it to TV. Which would probably make them eligible for...
NEWTON Still, who'd have thought that so much mileage could be made from 20 random clips from sporting events, blooper reels, news stories and old episodes of Sixty Minutes, sprinkled haphazardly over 15 or so Channel Nine celebrities, Shannon Noll, and, when they could be bothered, Tony Martin. I don't know about you, but why does the order never make any sense? Except to remind us how horrible Tracy Grimshaw is? Easy to forget when she's up against something like Naomi Robson with a lizard on her shoulder, I suppose. Then there's Rove Live. Australian television has had 50 years to get the tonight show format right, and yet week in week out Rove manages to turn what should be a passably entertaining mix of dull guests and boring music into a physically painful experience thanks to a complete and utter inability to present television or perform comedy. If you want to watch a pretty boy groping blindly for catchphrases you'd be better off with a bunch of Ben Affleck action films. Weirdly, Rove Live is a show that supposedly gets watched a lot, but no one ever defends. The only praise of Rove comes from within the 'entertainment' press itself. Nice work, guys. The Glasshouse, meanwhile, had a false air of legitimacy, only added-to by the ridiculous conspiracy theories in the media about why it was axed. Because calling a rural politician a 'right-wing pig-rooter' is a razor-sharp observation, saying 'I'm angrrrrrry' is a cleverly considered contribution, and making yourself look silly to get a laugh makes you an 'anti-bimbo'. For once, it probably wasn't a Howard government/anti ABC bias conspiracy - The Glasshouse was a terrible show and pretty much anything would be better in its place. Expect, of course, what actually did replace it - more crap British sitcoms even the Poms haven't heard of. Whatever happened to making our own crap sitcoms, I heard you mutter at the prompting of the giant flashing sign above my head? I'm glad you asked...
NEWTON Stupid Stupid Man started off with a title that made no sense (with four men in the regular cast and none of them all that bright, just who was it referring to?), and it was all downhill from there. Despite a mildly promising situation involving the staff of a lads' mag, the cast was too large, the set-ups too long-winded, the magazine setting neither realistic enough (religious groups protesting over a 'Ten Commandments of Rooting' article? Really?), nor broad enough (not one of the articles mentioned were as funny as the real thing...and they're not that funny) to provide any laughs or interest, and...well, when you've got Bob Franklin playing a depressed advice columnist and even he's struggling, you know you're in trouble. As did pay-channel TV1, which rushed this out in hour-long blocks to get it over with. It was a bad year for Bob Franklin, turning up as he also did in Tripping Over (the latest slice of pointless meandering from the dreaded 'makers of Seachange'), that once again looked at a bunch of well-off good-looking types who wander around with the backs of their hands nailed to their foreheads going 'woe is me, my relationship is going through a bumpy patch and I'm not sure which amazingly hot chick I should sleep with next'. As is the way with Australian television, a few supposedly comedic moments were thrown into the mix (who could forget the scene where that Aussie soapie guy tagged along to a funeral to try and learn the regional accent for a play he was doing) but as the comedy was clearly inspired yet again by The Office, all it provided was a brand new venue for cringe comedy to fail to get laughs. And with that in mind, we'll see you on page 2...
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